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While Larry searches for the asset, Adult Erin finds the three remaining paper girls wandering the streets of Stony Stream. Just when the middle-aged man gives up hope, his beeper alerts him that the device or “asset” Adult Erin (Ali Wong) has in her possession is armed. Although Larry does find his partner afterward, she refuses to believe anything he says is real. Sadly, their goal comes at a high cost as the Old Guard wipes Juniper’s memories during the battle.

This couple is part of the STF Underground, an organization created to change the past for a better future. Armed Old Watchers attack a woman named Juniper (Celeste Arias) while her lover Larry (Nate Corddry) looks on helplessly from his farmhouse. The third episode opens near the outskirts of Stony Stream. This episode is the equivalent of watching a pretentious teenager maturing into a respectable young person. Paper Girls may still wrestle with constructing a cohesive sci-fi tale, but there is more emotion and depth in this episode than in the previous two.

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In Episode 3, the paper girls learn why the Standard Time Fighters, or the STF Underground, and the Old Watch are fighting, Mac (Sofia Rosinsky) reunites with her older brother Dylan (Cliff Chamberlain), and Prioress (Adina Porter) gets one step closer to removing the preteens from the timeline.

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Fortunately, writer Lisa Albert uses her extensive background in writing for network series like Mad Men and Hannah Montana to put the YA drama back on track with “Blue Tongues Don’t Lie.” Instead, it whips through the story to reach its unearned climax. One of the reasons Prime Video’s Paper Girls struggles is that it refuses to apply some of the basic tenets of television writing, such as a clear five-act structure and character arcs into its episodes. Why do entertainment studios treat movies and television shows as one and the same when their methods, goals, and viewing experiences are wholly different? I agreed with veteran writer and showrunner of The Boys Eric Kripke when he said in an interview with Vulture that television shows need to stop portraying themselves as a “ten-hour movie.” Granted, his comment about the state of these works was certainly, uh, colorful, as he uses a series of profanities I am not comfortable repeating.